We just want to play those songs with that spirit.” It’s not meant to be a literal re-creation of the album. “I take some of Red’s vocabulary as a starting point,” Finney said, “but Red’s thing was fearlessness to go out on a limb.”įinney added, “It’ll be the two of us with that record as a template. “He was just radically different on his own. Last year Nesmith assembled a group dubbed the First National Band Redux-with Nashville-based steel guitarist Pete Finney stepping in - and toured with a show highlighting songs from the first three albums, along with a smattering of his Monkees hits and subsequent Nesmith solo material.Īs an equal partner to Nesmith during recording of “And the Hits Just Keep on Comin’,” Rhodes “wasn’t doing anything radically different than what he did on other Nez records,” Finney said. 1,” Nesmith stripped things down even further for “And the Hits Just Keep on Comin’.” After reconfiguring the lineup and calling it the Second National Band for a fourth album, “Tantamount to Treason, Vol. It wasn’t long before the Texas native released the first of a series of cult-classic albums that helped create the template for Southern California country rock, albums he recorded with a group consisting of Rhodes, bassist John London and drummer John Ware, which he dubbed the First National Band.īy ’72, however, RCA Records had scored only nominal successes from those recordings. Nesmith left the Monkees in 1969, a year after bassist Peter Tork’s departure, winnowing the group’s lineup down to the duo of Davy Jones and Micky Dolenz. Michael Nesmith onstage at the Troubadour in 1970 with his First National Band (post-Monkees).
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